Autor: Paul Erick

More than revisiting a natural disaster, the film questions how a community endures a real-life apocalypse that collided with its beliefs. The director investigates the invisible traces left by an EF5 tornado in a town accustomed to praying for deliverance, yet unprepared to face devastation as either a response — or a reflection — of its own contradictions. Amid physical ruins and inner turmoil, the disaster reveals what is most fragile in the human condition.

Aboard a past that never existed, a young girl crosses corroded landscapes alongside a silent robot, sifting through the wreckage of a fictional era in search of her missing brother. “The Electric State” reimagines the 1990s as an alternate future already born in decay, blending digital emotions, post-industrial loneliness, and the toxic legacy of major corporations. This isn’t merely science fiction — it’s a visual elegy for what we choose to remember.

More than a romance set against a backdrop of conflict, this drama plunges into the collision between survival and intimacy in a society where loving someone can be a political act. Two young people on opposing sides of an ideological war forge a bond out of urgency, and what grows from that fragile alliance tests not only their beliefs but the very limits of longing — under a system that profits from human despair.

Blending noir undertones with the tension of top-tier contemporary thrillers, the film marks Grant Singer’s debut in narrative directing with a confident, stylized approach rich in detail. Benicio Del Toro plays a detective surrounded by lies, revenge, and conspiracy, as an investigation unveils far more than a simple murder — leading him into an unstable abyss between paranoia, ethics, and lucidity.

As subtle as a crack spreading silently beneath our feet, this psychological thriller guides the viewer through a space where the apocalypse isn’t an event, but an atmosphere. Between technological blackouts and the collapse of mutual trust, the film challenges our ability to distinguish real threat from existential discomfort — exposing just how fragile we’ve become in the face of the unknown.

Amid electrifying chases and unexpected twists, a former spy couple struggles to balance domestic life with a past that refuses to stay buried. Cameron Diaz’s return to the screen, paired with Jamie Foxx’s remarkable resilience, elevates this explosive adventure beyond mere entertainment. Blending action-packed sequences with sharp humor, the film revives the spirit of great spy comedies, keeping audiences engaged from start to finish.

Lainy Newton has always believed that marriage and motherhood were the natural paths to happiness. But when her boyfriend unexpectedly dumps her and her best friend announces a pregnancy, she spirals into doubt. In a moment of absurd impulse, she pretends to be pregnant, launching a lie that quickly gets out of hand. Blending humor with social critique, “Kinda Pregnant” explores the weight of societal expectations and the desperate need for validation.

Caught between the chaos of a false accusation and the anguish of a brutal kidnapping, “Ad Vitam” weaves its plot through twists that defy conventions. Rodolphe Lauga directs with a sharp balance between visceral action and introspective drama, transforming Franck Lazareff’s journey into more than just a quest for revenge. Moving between past and present, the film crafts a gripping story shaped by moral dilemmas and an unrelenting sense of tension.

Through the fog of battles and the intrigues of a kingdom on the verge of collapse, “Outlaw King” resurrects one of medieval Scotland’s defining moments. Director David Mackenzie transforms Robert The Bruce’s saga into a visual and narrative spectacle that resists simplifications. The violence of the warfields intertwines with the machinations of power, crafting a tale where loyalty and betrayal are two sides of the same coin.