When an urban architect watches her career collapse and her relationship fall apart, an unexpected contest takes her to a remote village in New Zealand, where a run-down inn and a solitary local challenge her logic, her comfort, and her heart. “Falling Inn Love” rebuilds the romantic comedy with modest charm, idyllic scenery, and the belief that starting over is an active verb — and almost always unpredictable.

In a world where emotions are often performed on social media, “To All the Boys I’ve Loved Before” chooses the silence of intimacy as the stage for a teenager to confront her own desire. The film offers a delicate dive into the art of loving before acting, writing letters that seek no answers but reveal a heart still learning how to speak.

With its biting humor and a protagonist immoral to the core, “I Care a Lot” offers a sharp portrait of ambition that disregards ethical boundaries in pursuit of success. Rosamund Pike plays a woman who turns the exploitation of the elderly into a legal and profitable business—until she targets a victim with dangerous connections. What follows is a fierce clash between corporate cynicism and lawless brutality.

In the near future, a mission to Mars is shaken by an unforeseen event that turns scientific exploration into a devastating moral dilemma. “Stowaway”, directed by Joe Penna, rejects the genre’s traditional heroism and dives into ethical and emotional tensions that challenge the limits of empathy, logic, and survival within the confines of a hostile space environment.

Under Greece’s restless sky, an American tourist suddenly finds himself hunted by invisible forces, uncertain whether he’s facing real enemies or his own delusions. “Beckett” sidesteps the formulas of conventional thrillers and plunges into an existential spiral where paranoia, guilt, and absurdity intertwine, echoing the unsettling discomfort of Beckettian theater — a journey where each step unravels logic and deepens despair.

Set in 19th-century Ireland, “The Wonder”, directed by Sebastián Lelio, dives into a dense clash between religious convictions and scientific reasoning. Following a skeptical nurse confronted with a supposed miracle, the film offers no easy answers — instead, it presents the viewer with an ethical, emotional, and intellectual challenge about what we accept as truth, exposing the dangers of beliefs sustained by silence and suffering.

With a narrative that rejects any hint of complacency, “Havoc” marks Gareth Evans’ relentless return to the underground world of gangs and the unholy alliances between crime and public power. Amid stylized brutality, unrelenting moral tension, and an outright refusal of easy redemption, the film traces the path of a haunted man, exposing wounds that justice itself refuses to touch — or even acknowledge as its own.

With scathing humor and piercing melancholy, “The Ballad of Buster Scruggs” turns the Western into a distorted mirror of the American soul. Six standalone stories unveil the absurdity, cruelty, and irony of a world where life holds little value and chance reigns supreme. The Coen brothers upend myths, expose wounds with unsettling precision, and craft a tableau as beautiful as it is unforgiving.

Instead of resorting to the spectacle of religious biographies, “The Two Popes” invests in the subtlety of dialogue and the discomfort of shared doubts. By bringing together two men divided by worldviews yet bound by a common responsibility, the film creates an intimate space where listening becomes more revealing than asserting — and where human frailty speaks louder than any form of authority.

In a London stifled by conventions and industrial smoke, a young investigator refuses to accept the place assigned to her. On her second journey, Enola Holmes finds herself at the center of a plot linking disappearances, coded letters, and a factory where silence comes at the cost of lives. More than solving a mystery, she confronts a system that fears women who dare to think — and act — for themselves.